Across PMA and PAFA, A Nation of Artists appears less as a patriotic survey than as a contested question: who is allowed to picture America, and who is pictured in return? Prof. Grewe's tour follows the exhibition’s dual structure—PMA’s chronology and PAFA’s thematic encounters—to test the promise of national belonging against histories of expansion, inclusion, patronage and reinvention. We will explore American art as argument, inheritance, cultural unifier and unfinished civic work. (3 Feet: Extensive Walking and Lengthy Periods of Standing.)